I love the Oscars. I always have and I always will. Some
years, I have movies and actors I am actively rooting for and other years, I’m
just there for the red carpet. I am an active watcher – I am on Facebook,
Twitter, and texting. I set up a command center and sit, surrounded by
electronics, to enjoy the show. This year, I’m going low-tech and actually
inviting a friend to watch with me instead of just texting her from across
town. Let’s call her Bubbles. Recently, she invited me to an Oscar Movie Marathon
being held at a local theater. All eight best picture nominees were being
shown. We see a lot of movies together, so we know each others tastes and candy preferences. Once we cleared it past the husbands (because really, going to one movie
is no biggie, but basically abandoning them with their own spawn for an entire
freezing cold, indoor-only weekend does require a little finagling), we were
off. Upon arrival, we were given our very own laminated pass on a lanyard and
were escorted to the smallest theater in the building. We then chose our
favorite seats and settled in for two days of the fun. So here they are, in
order:
The Theory of
Everything
This is the story of Stephen Hawking and his wife Jane. I
know very little about Professor Hawking. In fact, I purposely didn’t ask a
very dear friend for his book recommendation for my list due to my overwhelming
fear that he’d make me read Hawking’s book and I’d be faced with hundreds upon
hundreds of pages of physics. (As punishment, he picked Cormac bloody
MacCarthy.) Their love story was beautiful and surprising and touching, but
what was riveting was Eddie Redmayne as Hawking. I frequently get annoyed with
Oscar movies because everyone seems to be trying so hard to act. It is all very
showy, very “look at me Ma, no hands!” This one has an accent, that one isn’t
wearing makeup, the other guy lost weight. It’s just so obvious. There was
nothing obvious about the acting in this movie. The actors WERE the roles. It
was really incredible afterward to realize how much emotion, how many thoughts
and feelings were being revealed while the actors said very little. This was a
master class in inhabiting a role. I will be royally pissed if Redmayne doesn’t
win Best Actor because he had to act and emote and show us how he felt without being
able to move at all. That being said, I also think Felicity Jones, who played
his wife, had just as difficult a role. She had to be human. Not a saint, or a
sinner, not just a wife, and not just a woman, but a fully realized
three-dimensional character that we the audience could understand. The whole
movie is not really about his descent into his illness, but their relationship
throughout it.
The Grand Budapest
Hotel
This movie was everything I hate about Oscar movies. I will
grant that the cinematography and art direction in the film were really
exceptional, but the fact that I noticed both things shows I was bored by the
plot and character. I am not into Wes Anderson. To me, his movies are an epic
eye roll and this was no exception. Does Ralph Fiennes deserve an Oscar for
this? Hell to the no. Look, I know comedies aren’t my thing. I am well known
for my lack of sense of humor when it comes to slapstick, low-brow, physical
humor, and anything with Vince Vaughn or Ted McFarlane. This movie was just
dumb. It passed the time, but that’s about it.
Whiplash
This movie was a revelation. It was brilliant. It was
stunning. The sum total of what I knew about the movie was “it is about a
musician and his teacher.” I was both right and so very, very wrong. First off,
I think Miles Teller was robbed. This is a two man show. You need both actors
to make it work and rewarding one while ignoring the other is just foolishness.
This movie is about talent. Who has it and who doesn’t, how do you measure it,
support it, feed it, and demolish it. It is about the complex relationship
between teachers and students, between the self and the audience. The actor up
for the Oscar plays the teacher and I will spoil nothing in this movie other to
say being a character actor is an underrated skill. J.K. Simmons is a Hey, It’s
That Guy! You’ve seen him in everything. But you’ve never seen him like this.
This movie did it for me. This is the exact type of movie I think deserve
Oscars. There were no grand set pieces, action sequences, costumes, lighting,
or technical bullshit. There were two actors doing what they do best. Period.
It was a small story. It wasn’t historically important, or true to life, or the
type of Oscar movie that feels like homework. It was a joy to behold and when
the credits rolled, I felt like I had been through an emotional roller coaster
and all I wanted to do was get back on and ride it again.
American Sniper
I am not good at being politically correct so I am not going
to try. Bubbles and I were so far back in our seats trying to get away from the
movie screen, we were practically in the next row. I just barely managed to
avoid gouging out her thigh muscles by remembering, at the very last second,
that she was not my husband and would not enjoy being mauled during the movie.
(She later admitted she almost took off my arm.) This movie was tense. It was
violent. It was also bullshit. I wasn’t watching a movie, I was watching war
propaganda. Chris Kyle was a Navy Seal with the highest recorded number of
sniper kills and I am barely exaggerating when I say that if he was credited
with 160 of them, then we watched roughly 159 of those shots in adoring, close
up, slow motion detail. Did I need to see a real-time account of a child being
tortured to death with a drill? No. Not ever. However, I’ve seen enough
war/action movies to recognize talent in directing. The action was clean. You
knew where everyone was in relation to one another. Hell, the final battle was
so lovingly rendered that I could have recreated it, from memory, using Lego
pieces and toy soldiers’ days later. Bradley Cooper was unrecognizable as Kyle
and really disappeared into the role – but he also made Kyle relatively one
note. Kyle was raised to be sheepdog and protect everyone, so he did, which
caused problems at home. Yawn. That part of the story wasn’t original, or
exceptionally well told, or anything other than filler to show that this
ultra-macho warrior was human. The whole movie felt cheap to me, as if I was
being sold patriotism with my popcorn. The Kyle we see onscreen is a whitewashed
Hoo-rah version of the real man and while the real man wasn’t perfect, I think
he would have been far more interesting than the one we were shown.
The Imitation Game
This was a really good movie, no more and no less. This
script had Oscar Bait stamped in gold filigree on the front cover. It was
filled with an A-list cast doing A-list acting – but that isn’t enough for an
Oscar. It shouldn’t be. That should be the median, the average, and the
expected. These people are paid stupid amounts of money to play pretend on
screen, so if they want an Oscar, then I better forget they are pretending.
This movie didn’t do that. In fact, I’d go so far as to say that while Benedict
Cumberbatch and Keira Knightly were very good, I’ve seen them both do better.
He is better as the fictional Sherlock Holmes than the real Alan Turing and she
was what she always is – a strong, steadfast, beautiful Brit in period
clothing. I don’t mean to damn the movie with faint praise – it was excellent
and I highly recommend it. But it isn’t Oscar-worthy. It also took a really odd
third-act turn away from a standard spy thriller and into a gay rights movie
that was not only unexpected, but a little jarring.
Boyhood
I fucking hated this movie with a passion filled with great
vengeance and furious anger. If you take away the central construct – which is
that the movie was filmed over 12 consecutive years with the same actors – then
what you are left with is the fact that you just wasted three hours watching a
movie in which people age. Thrilling. Bubbles kept checking her phone. I kept
looking around to see if anyone else was as bored as I was. At first, I was
mildly entertained by the Reality Bites
Back: The Troy Dyer Years vibe. In fact, I’m pretty sure that’s what Ethan
Hawke was thinking too because he certainly didn’t make any great strides in
character here. I am baffled, nay dumbstruck that Patricia Arquette is being
recognized for anything in the way of acting as her “character” seemed to
change with her hairstyles. The longer the movie played, the more labored the
scenes became. The actors might have
aged 12 years, but watching them do so took decades. We were in the theater so
damn long I thought there would be flying cars by the time we finally got out.
And remember, this is coming from a woman who spent a full day in the theater
previously. In fact, all five of the above movies combined didn’t feel as long
as Boyhood. God, I hated this dumb,
pretentious little movie. Hated.
So, that’s where we stand so far. Six movies down, two to
go, plus I’m going to try to catch some of the best actress nominees as well.
(Riddle me this Batman, why are women most often the only actor singled out for
a movie, but male roles are almost always within Best Picture, Director, or
Writing nominations?) If I’m really lucky, Bubbles and I will be able to see
all the shorts (pictures) as well.